Friday, 17 February 2017

Agam Kuan-The Historical well in Patna


★  Agam Kuan (अगम कुआं ,"unfathomable well") is an ancient well and archaeological site in Patna, India. It is said to date back to the period of Mauryan emperor, Ashoka (304–232 BCE). Circular in shape, the well is lined with brick in the upper 13 metres (43 ft) and contains wooden rings in the remaining 19 metres (62 ft).

★ The Agam Kuan is set within an archaeological site identified by the Archaeological Survey of India which also contains the adjacent Shitala Devi temple where the folk deity Shitala Devi is venerated. Inside this temple, the pindas of the Saptamatrikas (the seven mother goddesses) are worshipped. The temple is widely revered for its belief in curing smallpox and chicken pox.


★ Agam Kuan is situated close to the Gulzarbagh Railway station in Patna, Bihar state. It is east of Patna and south-west of Gulzarbagh Station

Saturday, 14 January 2017

Makar Sankranti


  • Makar Sankranti also known as Makara Sankranti marks the transition of the sun into the zodiacal sign of Makara (Capricorn) on its celestial path,which is the first change in the zodiac after the winter solstice and is the first day of the month of Magha. 
  • The festival is celebrated in various parts of the Indian subcontinent to observe the day which marks the shift of the sun into ever-lengthening days. The festival is a seasonal observance as well as a religious celebration. Makara Sankranthi is a solar event making it one of the few Hindu festivals which fall on the same date in local calendars every year i.e 14 January

  • On 14 January, it is celebrated as Makar Sankranti or Sakraat or Khichdi (in local dialects). As in other parts of country, people take baths in rivers and ponds and feast upon seasonal delicacies as a celebration of good harvest. The delicacies include chura, gur (jaggery), sweets made of til (sesame seeds) such as tilgul, tilwa, maska, etc., curd, milk and seasonal vegetables. Kite flying festivals are organised, albeit on a small scale.
  • On 15 January, it is celebrated as Makraat (in some parts of the state) when people relish special khichdi (dal-rice replete with cauliflower, peas and potatoes).
  • The festival is one of the most important. People start their day by worshipping and putting til (sesame seeds) into fire followed by eating "dahi-chuda", a dish made of beaten rice (chuda or poha, in Hindi, or avalakki, in Kannada) served with a larger serving of dahi (curd), with cooked kohada (red pumpkin) that is prepared specially with sugar and salt but no water. The meal is generally accompanied by tilkut and lai (laddu made of til, chuda and rice). The festive meal is traditionally made by women in groups. Since the meal is heavy, lunch is generally skipped on the day and the time is, instead, spent on socializing and participating in kite flying festivals.
  • At night a special khichdi is made and served with its four traditional companions, "char yaar" (four friends) — chokha (roasted vegetable), papad, ghee and achaar. Since such a rich khichdi is generally made on this festival, the festival is often colloquially referred to as "Khichdi"

Friday, 4 November 2016

Chhath Puja

Chhath Puja also called Dala Puja is a Hindu festival popular in the Northern and Eastern Indian states of Bihar and Jharkhand The word ‘Chhath’ has its origin in ‘sixth’ as it is celebrated on the 6th day or ‘Shasthi’ of the lunar fortnight of Kartik (October - November) in the Hindu calendar – six days after Diwali, the festival of lights.

-- A RITUAL DEDICATED TO SUN GOD --
** Chhath is mainly characterised by riverside rituals in which the Sun God or Surya is worshipped, giving it the name of ‘Suryasasthi.’ It underpins the ever so scientific belief that the Sun God fulfils every wish of earthlings and so it’s our duty to thank the sun with a special prayer for making our planet go round and bestowing living beings with the gift of life. The ghats or riverbanks throng with devotees as they come to complete their ritual worship or ‘Arghya’ of the sun – both at dawn and dusk. The morning ‘Arghya’ is a prayer for a good harvest, peace and prosperity in the new year and the evening ‘Arghya’ is an expression of thanks to the benevolence of the Sun God for all that he has bestowed during the year gone by.
-- HOW CHHATH IS CELEBRATED --
** Chhath can well be regarded as the state festival of Bihar, where it goes on for four days. Outside of India, Chhath is mainly among celebrated by the Bhojpuri and Maithili speaking community apart from the Nepalese Hindus. It assumes a joyous and colourful form as people dress up in their best clothes and gather by rivers and other water bodies to celebrate Chhath. Many devotees take a holy dip at dawn before preparing the ritual offerings or ‘prasad,’ which mainly comprising ‘Thekua,’ a hard and crude but tasty wheat-based cake usually cooked on traditional earthen ovens called ‘Chulhas.’ The divine offerings are placed on circular trays woven out of bamboo strips called ‘dala’ or ‘soop.’ Women adorn new clothes, light lamps and sing devotional folk songs in honour of ‘Chhathi Maiya’ or the holy river Ganga. After sunset, devotees return home to celebrate ‘Kosi’ when earthen lamps or ‘Diyas’ are lit in the courtyard of the house and kept beneath a bower of sugarcane sticks. Serious devotees maintain a strict anhydrous fast of three days..
-- THE 4 DAYS OF CHHATH --
## The first day of Chhath is called ‘Nahai Khai,’ which literally means ‘bath and eat’ when devotees bathe in the river, preferably a holy one such as the Ganga and bring home the water to cook food offerings for the Sun God.
## On the second day called ‘Kharna,’ the devotees observe 8-12 hours of anhydrous fast and end their ‘Vrat’ in the evening after performing Pooja with the ‘Prasad’ offered to Surya. This normally consists of ‘payasam’ or ‘kheer’ made rice and milk, ‘Puris,’ fried bread made of wheat flour, and bananas, which are distributed to one and all at the end of the day.
## The third day is also spent in worship and preparing ‘Prasad’ while fasting sans water. This day is marked by the elaborate evening ritual called the ‘Sandhya Arghya’ or ‘evening offering.’ The offerings are served to the setting sun on bamboo trays that has ‘Thekua,’ coconut, and banana among other fruits. This is followed by the ‘Kosi’ ritual in homes.
## The fourth day of Chhath is considered the most auspicious when the final morning ritual or ‘Bihaniya Arghya’ is performed. The devotees along with their family and friends congregate on the bank of the river to offer ‘Arghyas’ to the rising sun. Once the morning ritual is over, devotees break their fast by taking a bite of ginger with sugar. This marks the end of the rituals as joyous celebrations ensue.
-- LEGENDS AROUND CHHATH PUJA --
** It is said that in the times of the Mahabharata, Chhath Puja was performed by Draupdi, the wife of Pandava Kings. Once during the long exile from their kingdom, thousands of wandering hermits visited their hut. Being devout Hindus, the Pandavas were obliged to feed the monks. But as exiles, the Pandavas were not in a position to offer food to so many hungry hermits. Seeking a quick solution, Draupadi approached Saint Dhaumya, who advised her to worship Surya and observe the rituals of the Chhath for prosperity and abundance

Saturday, 8 October 2016

Navaratri


  • Navaratri (नवरात्र) is a festival dedicated to the worship of the Hindu deity Durga. The word Navaratri means 'Nine nights' in Sanskrit, nava meaning nine and ratri meaning nights.
  • During these nine nights and ten days, nine forms of Devi are worshipped. The tenth day is commonly referred to as Vijayadashami or "Dussehra" (also spelled Dasera).
  • Navaratri is an important major festival and is celebrated all over India.
  • Festival that denotes good wining over the evil ...NavraSaptami, Ashthami, Navami and Dashami—the last four days of Navratri are celebrated as Durga Puja in the eastern parts of the country. Durga Puja is the most popular festival in West Bengal, Bihar & Assam and is celebrated with great pomp. The festival celebrates the victory of Goddess Durga over the evil buffalo demon Mahishasura...

Sunday, 21 August 2016

Ustad Bismillah Khan



Ustad Bismillah Khan
  • Bismillah Khan , often referred to by the honorific title Ustad, was an Indian musician credited with popularizing the Shehnai, a subcontinental wind instrument of the oboe class. While the Shehnai had long held importance as a folk instrument played primarily during traditional ceremonies, Khan is credited with elevating its status and bringing it to the concert stage.
  • He was awarded India's highest civilian honor, the Bharat Ratna, in 2001, becoming the third classical musician after M. S. Subbulakshmi and Ravi Shankar to be accorded this distinction.
  • Khan was born in a family of traditional Muslim musicians in Bhirung Raut Ki Gali, Dumraon, in what is now the eastern state of Bihar, as the second son of Paigambar Baksh Khan and Mitthan.
  • Khan was perhaps single-handedly responsible for making the shehnai a famous classical instrument. He brought the shehnai to the center stage of Indian music with his concert in the Calcutta All India Music Conference in 1937. He was credited with having the almost monopoly over the instrument as he and the shehnai are almost synonyms.
  • Khan is one of the finest musicians in post-independent Indian classical music and one of the best examples of Hindu-Muslim unity in India. He played the shehnai to audiences across the world. He was known to be so devoted to his art form that he referred to shehnai as his begum (wife in Urdu) after his wife died. On his death, as an honour, his shehnai was buried with him. He was known for his vision of spreading peace and love through music.
AWARDS
  • Bharat Ratna (2001)
  • Fellow of Sangeet Natak Akademi (1994).
  • Talar Mausiquee from Republic of Iran (1992).
  • Padma Vibhushan (1980)
  • Padma Bhushan (1968)
  • Padma Shri (1961)
  • Sangeet Natak Akademi Award (1956)
  • Tansen Award by Govt. of Madhya Pradesh.
  • Three medals in All India Music Conference, Calcutta (1937)
  • "Best Performer" in All India Music Conference, Allahabad (1930)
RECOGNITIONS
  • Bismillah Khan had honorary doctorates from
    -Banaras Hindu University, Varanasi
    -Visva Bharati University, Santiniketan
  • The Government of India declared a day of national mourning on his death. His body along with a Shehnai was buried at Fatemain burial ground of old Varanasi under a neem tree with 21-gun salute from Indian Army.

Monday, 6 June 2016

यह संग्रहालय कभी शेरशाह का किला था


1540 में मुग़ल साम्राज्य पर नियंत्रण के बाद शेरशाह पटना आया। गंगा किनारे बसा पटना उन दिनों एक छोटा सा क़स्बा भर था। मौर्य और गुप्त साम्राज्य की राजधानी रहा पाटलिपुत्र अपना प्राचीन गौरव खो चुका था। पटना के सामरिक महत्व को देखते हुए शेरशाह ने यहाँ एक किला बनवाने का फैसला किया। 

पांच लाख रुपयों की लागत से एक किले का निर्माण हुआ। इसके बाद शेरशाह ज्यादा दिनों तक जीवित नहीं रह सका। 13 मई 1545 को वह कालिंजर के किले में मारा गया। मुग़ल फिर से सत्ता में आये। यह किला मुग़लों के अधीन रहा। वक्त बदला। मुग़लों को ईस्ट इंडिया कंपनी ने हिंदुस्तान की सत्ता से बेदखल किया। उन दिनों इस किले का मालिकाना हक़ एक मुस्लिम नवाब के पास था। ईस्ट इंडिया कंपनी ने इसे नवाब से खरीद लिया। 

दीवान बहादुर राधा कृष्ण जालान पटना के एक समृद्ध व्यापारी थे। उन्होंने 1911-1912 के आस पास इस किले को ईस्ट इंडिया कंपनी से खरीदा। तब तक किले की हालत ख़राब हो चुकी थी। उचित रखरखाव न होने से इसकी दीवारें ढह रहीं थीं। दीवान बहादुर ने किले को एक नया रूप दिया। 

समृद्ध दीवान बहादुर कला प्रेमी थे। उनकी ख्याति एक उत्कृष्ट कलाप्रेमी ग्राहक की थी। उन्हें दुर्लभ चीजों के संग्रह का शौक था। पांचवें किंग जॉर्ज के सिल्वर जुबली समारोह में उन्हें लंदन से बुलावा आया तो उन्होंने उसका भरपूर फायदा उठाया। लंदन में उन्होंने दुर्लभ वस्तुओं की खरीदारी तो की ही साथ ही पूरी दुनियां में घूम- घूम कर उन्होंने दुर्लभ कलाकृतियां, पुरातात्विक महत्व की वस्तुएं, दुर्लभ तस्वीरें, प्राचीन फर्नीचर इत्यादि खरीदे। इन्हीं दुर्लभ वस्तुओं से उन्होंने किले को समृद्ध बनाया जो अंततः एक संग्रहालय के रूप में मशहूर हो गया। 

प्राचीन वस्तुओं का शौक दीवान बहादुर को इतना था कि एक बार वे मिस्र से ममी ही उठा लाये। लेकिन पत्नी के विरोध करने पर उन्हें इसे वापस लौटना पड़ा। दीवान बहादुर का यह संग्रह दुर्लभ कलाकृतियों से भरा पड़ा है। चीन जाकर उन्होंने शुंग और मिंग साम्राज्य काल के बहुत से पर्सेलीन की कलाकृतियां भी खरीदीं।1885 में फ्रांस जाकर उन्होंने कई दुर्लभ वस्तुएं खरीदीं। लुइ'स 15वें और लुइ'स 16 वें के फर्नीचर, फ्रांस की साम्राज्ञी मारी अंटोइनेट का वाइन कूल, नेपोलियन के इस्तेमाल में लाई गयी वस्तुएं इत्यादि। 

मुग़ल बादशाह अकबर और हुमायूँ की तलवारें, बीरबल के भोजन और पूजा के बर्तनों के साथ- साथ बीदरी वर्क के कई शानदार नमूने भी इस संग्रहालय में हैं। एक रोचक किस्सा बीरबल के बर्तनों से जुड़ा है। 1953 में पंडित जवाहर लाल नेहरू जब पटना आये तो उन्हें दीवान बहादुर ने खाने पर निमंत्रित किया। उनके साथ तत्कालीन राज्यपाल आर.आर दिवाकर, तत्कालीन मुख्यमंत्री श्रीकृष्ण सिंह भी थे। वहां उन्हें बीरबल के चांदी  के बर्तनों में खाना पड़ोसा गया। चांदी के बर्तनों को देख पंडित नेहरू बिफर पड़े। लेकिन जब उन्हें यह बताया गया कि ये बर्तन बीरबल के हैं तो उन्होंने बड़े शौक के साथ खाना खाया। 

कालांतर में शेरशाह का बनाया हुआ किला थोड़े से रूपांतरण के बाद एक ऐसे कला संग्रहालय के रूप में पूरी दुनियां में मशहूर हो गया जो सिर्फ एक व्यक्ति के शौक का नतीजा था।   


Friday, 3 June 2016

तब बग्घी ही पटना के रईसों का वाहन था


19 वीं सदी के मध्य में पटना शहर का विस्तार पश्चिम दरवाजा के पश्चिम में दूर तक हो चला था। नए शहर के वाशिंदे, जिनमें यूरोपियन और संपन्न स्थानीय निवासी थे, की निर्भरता अलग अलग जरूरतों के लिए पुराने शहर पर थी और पुराने शहर के वाशिंदों का सरकारी दफ्तरों और शिक्षण सुविधाओं के लिए नए शहर पर निर्भरता थी। दोनों की परस्पर निर्भरता को देखते हुए तेज गति वाले वाहन की जरूरत महसूस की गयी।
अब तक लोग टमटम की सवारी ही कर रहे थे। यह दो घोड़ों द्वारा खींचा जाने वाला सदियों पुरानी व्यवस्था थी। लेकिन अब आम लोगों के लिए तेज गति वाले वाहन की जरूरत थी। अमीर और संपन्न लोग तेज घोड़ों की या घोड़ों द्वारा खींचे जाने वाले बग्घी की सवारी करते थे।
यह जानना रोचक होगा कि पटना के उल्फत हुसैन फ़रयाद पहले हिंदुस्तानी थे जिसके पास बग्घी थी। पटना के तत्कालीन कमिश्नर मेटकॉफ़ ने यह बग्घी इंग्लैंड से मंगवा कर फ़रयाद को तोहफे में दिया था। नवाब लुफ्त अली खान दूसरे रईस थे जिनके पास यह बग्घी थी। उन्होंने इसे कलकत्ता से मंगवाया था। इसे बाद शीघ्र ही यह शहर के रईसों का पसंदीदा वाहन बन गया। कौन कितने घोड़ों के वाहन की सवारी करता है, यह उस व्यक्ति की सम्पन्नता का मापदंड बन गया। विलियम टेलर चार मजबूत और शानदार अरबी घोड़ों की बग्घी पर चढ़ता था।
पालकी का प्रयोग सार्वजनिक परिवहन के तौर पर होता था। शहर के अंदर या बाहर जाने के लिए आम लोग इसका प्रयोग करते थे। अमीर लोगों की अपनी पालकी होती थी। बिशप हेबेर ने अपने पटना प्रवास में तोंजों नाम के एक अन्य वाहन को देखा था। यह कुछ कुछ टमटम की तरह होता था। इसमें एक तम्बूनुमा शामियाना लगा होता था जो पर्दा का काम करता था। यह एक घोड़े या दो बैलों द्वारा खींचा जाता था।
शहर के अमीर और रईस शाम की तफरीह के लिए चांदी के जेवरों से सजे हाथियों की सवारी भी करते थे। कुछ लोग बैलों द्वारा खींचे जाने वाले वाहन की भी सवारी करते थे। इन बैलों के सींग चांदी से मढ़े गए होते थे। रात के वक्त यात्रा के दौरान नौकर मशाल लेकर साथ साथ रास्ता दिखाते चलते थे। कई बार जब रईसों की सवारी निकलती थी तो वर्दियों में सजे, हाथों में तलवार लिए उनके मुलाज़िम साथ होते थे।
थोड़े से वक्त के लिए तेज आवागमन के लिए अशोक राजपथ पर घोड़ों द्वारा खींचे जाने वाले ट्राम की भी शुरुआत हुई थी लेकिन 1903 में ही इसे बंद कर दिया गया।